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Every great story needs a strong antagonist to create conflict in the story. In this article, learn how to create an antagonist with 7 expert tips! We’ve also included amazing examples from literature to help you.
An antagonist is not always the completely evil, bad guy in the story. So what is an antagonist in a story? We’ll quickly define antagonists to explain this.
An antagonist is a character who creates obstacles and challenges for the protagonist (main character) of the story. Their role is to create tension and drama in the story.
Strong antagonists are often intelligent, have multiple talents, and have their reasons for opposing the protagonist. Lord Voldemort, The White Witch, The Joker, Darth Vader, and Thanos are some famous antagonist examples.
The following can play the role of an antagonist in a story:
After understanding the antagonist definition and types, let’s see how to create an antagonist.
Your antagonist should have a strong reason to oppose the protagonist. This can be a desire for power, success, fame, or a personal stake. The reason can also be due to the character’s past experiences. Some important points while giving characters motives are:
“John’s ambition was like a hungry beast, always lurking beneath the surface, waiting to devour any opportunity that might feed its appetite.”
The above example is a simile where John’s ambition is compared to a hungry beast using the word “like”. Now let’s see the next tip to create a strong antagonist
To make them relatable, you can give your antagonist flaws and weaknesses that the readers can easily recognize and understand. For example, pride, insecurity, a desire for acceptance, etc.
Some other ways to make the characters relatable are:
“As the news of her father’s death reached Olivia, a cold numbness spread through her body. Her knees buckled, and she felt the world spinning around her, the ground threatening to swallow her whole.”
To create a backstory, list the key events that shaped your antagonist. You can create a complete timeline of the antagonist’s life using writing apps like Scrivener to make notes.
Also, instead of telling your antagonist’s backstory in the order it happened, share pieces of their past at different points in a non-linear order. You can also show the character reflecting on the past using inner monologue.
Some other ways to create a backstory are:
Challenge reader expectations by having your antagonist evolve in unexpected ways. You can show how they find redemption, or how their growth takes them in a surprising direction. Some ways to show character development are:
For example, throughout the story, the antagonist’s actions suggest they are becoming more villainous. However, in a twist, it’s revealed that they were secretly working to reveal and stop the true villain all along.
For example, The antagonist, who was earlier an enemy, evolves to become a friend or even a mentor figure.
You can do this by showing some moral principles antagonists follow, despite the wrong actions they commit. For example, the antagonist refuses to harm children or innocent bystanders, despite their willingness to commit other crimes.
Some other ways to depict redeeming qualities are:
Now let’s see the last tip for how to write an antagonist.
You can make the antagonist’s defeat satisfying by giving hints of the antagonist’s downfall before the final conflict. For example, showing a mistake the antagonist makes, an unexpected event that makes the good forces stronger, a secret weapon that the hero uses, etc.
Some other ways to do this are:
Now let’s see 3 exciting antagonist vs. protagonist examples in literature. Every example also includes a tip that you can use to create suspense and intrigue between a protagonist vs. antagonist.
These two characters from the story “The Final Problem” by Arthur Conan Doyle are famous for their conflict. The protagonist Holmes is portrayed as a brilliant detective, while Moriarty is depicted as a criminal mastermind.
A strategy used: Creating mystery by withholding information. In this story, specific, detailed information about crimes Moriary committed and how he did them is withheld to build suspense. For most of the story, Moriarty is an unseen presence, orchestrating crimes from behind the scenes. Following is Holmes’s description of Moriarty to explain this:
“He is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them.”
Readers learn about Moriarty’s crimes through the information Holmes’ has gathered, rather than through direct confrontations or detailed descriptions of Moriarty’s actions. This secondhand account creates an air of mystery around Moriarty’s character while emphasizing his criminal activities.
In William Shakespeare’s play Othello, Iago is the antagonist whereas Othello is the protagonist. Iago manipulates Othello by planting seeds of doubt about Desdemona’s faithfulness.
A strategy used: Rhetorical questions and ambiguous statements
For example, in Macbeth, Iago questions, “ “Did Michael Cassio, when you woo’d my lady, / Know of your love?” Through this action, Iago creates doubt in Othello’s mind about Cassio’s knowledge of his relationship with Desdemona. Iago also makes ambiguous statements like “Men should be what they seem; / Or those that be not, would they might seem none!” This ambiguous statement suggests that men should be honest about their true nature, but it also implies that some men, like Cassio, might be deceiving others.
These lines show Iago carefully choosing his words to imply something inappropriate about Cassio and Desdemona’s relationship indirectly. By asking rhetorical questions and making ambiguous statements, Iago lets Othello’s imagination fill in the gaps, exploiting his insecurities.
You can make your antagonist utter ambiguous statements and rhetorical questions similarly to create doubt. Now let’s see the last example.
In J.R.R. Tolkien’s The Lord of the Rings, Sauron is the antagonist whereas Frodo is the protagonist.
A strategy used: Motif (The Eye of Sauron)
In “The Lord of the Rings,” the eye motif is closely associated with Sauron and appears throughout the story, constantly reminding readers of Sauron’s presence and power. One notable example is the Eye of Sauron, depicted as a fiery, lidless eye atop the Dark Tower of Barad-dûr in Mordor. The characters, particularly Frodo, feel its gaze, as he journeys closer to Mordor.
You can similarly create motifs for your antagonist.
This concludes our guide about antagonists! You can bookmark this article to revisit the definition of an antagonist and tips. After understanding the antagonist’s meaning, you can start developing a strong protagonist using the best writing software like Novlr and Novel Factory.
With this, you also need to brainstorm: What is a protagonist and antagonist’s ultimate outcome in their conflict? Deciding a logical outcome that makes sense is essential for a satisfying conclusion.
Once you complete the story, the next step is to edit it. As experts in editing and proofreading services, we’d love to help you perfect your story!
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Excellent information